“Gately shrugs at the Nucks like he’s got no choice but to be here” (611).
Oh, Don. Of all the mythological pathos. Really? For Lenz? I haven’t read a character in a long time that I actually believed was a damned fine human being.
While we’re at it, in the damned fine human being category, I need to address what I feel is the book’s most important (spoiler-line-limited) line. Sorry to all the Infinite Summer participants who’ve seen this from me on the forum. But in light of the novel’s purpose for locating a post-postmodernism in the heart of something anti-ironic and genuine and human and painfully real, and in light of This is Water and the Kenyon commencement, 592 strikes me as intensely important.
“The older Mario gets, the more confused he gets about the fact that everyone at E.T.A. over the age of about Kent Blott finds stuff that’s really real uncomfortable and they get embarrassed. it’s like there’s some rule that real stuff can only get mentioned if everybody rolls their eyes or laughs in a way that isn’t happy” (592).
Between Gately’s honesty about hitting his knees every night to beg the ceiling for something because he can’t believe in anything but the ritual and Mario’s transcendental human beauty, I am even more moved by this novel the second time than I was the first. Because the drugs and the Entertainment and the tennis and the horrible demappings are all secondary to the intensely important project of moving beyond poststructuralist dehumanizing Lacanian Derridean postmodern posing into art that is, at its core, a beating heart.